Kunsthistorisches Institut in Florenz

KHI 2021+ Lecture Series

Brigitte Sölch: Struggle for Democracy, or: City Halls and the Art of Experience

22 January 2021, 3:00pm

Publication

Per Filippo Baldinucci. Storiografia e collezionismo a Firenze nel secondo Seicento

edited by Elena Fumagalli, Massimiliano Rossi and Eva Struhal

Publication

Jenseitsbilder
Dantes Commedia und ihr Weiterleben im Weltgericht bis 1500

Theresa Holler

Publication

Zwischen "exemplum" und "opus absolutum"
Studien zum Abzeichnen im italienischen Tre- und Quattrocento zwischen Mustertransfer und Kopie

Marion Heisterberg

Publication

Parlare dell’arte nel Trecento. Kunstgeschichten und Kunstgespräch im 14. Jahrhundert in Italien

Herausgegeben von Annette Hoffmann, Lisa Jordan und Gerhard Wolf

Video Archive

Visit the Vimeo channel of the KHI for a selection of video recordings of lectures, workshops, and seminars from the past events of the last years.

Open Access

Digital Collections

In times of closed research libraries, we would like to give you an overview of some important sources of freely accessible digital collections of both books and journals.

Open Access

Mitteilungen des Kunsthistorischen Institutes in Florenz

Articles of the journal available online via ART-Dok

The Institute

The Kunsthistorisches Institut in Florenz is a research institute dedicated to the history of art and of architecture. Its main focus are the art and visual culture of Italy, Europe, and the Mediterranean in a global perspective.

Further information

Research opportunities

The Kunsthistorisches Institut in Florenz awards a number of scholarships and contracts as a means of supporting the research projects of outstanding young academics.

Further information

Re-opening

We are pleased to announce that from 11 January 2021 the Library and Photo Library of the KHI re-opens for registered users in restricted form. For the Library (Via Giusti 44) online reservations are required: https://reserve.khi.fi.it
For access to the Photo Library (and the Ya section of the Library) in Palazzo Grifoni please send an email to: fototeca@khi.fi.it.

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Research topics

Ethics and Architecture

The spectrum of questions posed by the relation between ethics and architecture is broad. It spans all the way from the reception of Vitruvius and Aristotle in the Trecento, to reflections on the moral dimension of architecture in the eighteenth century, right down to current theories and practices of building.

Research areas

Languages of Art History

How did conventions of art historical writing come into being across various linguistic traditions, and how have they survived and developed out of inter-linguistic exchange?

Piazza e monumento

Der Platz gilt seit der Antike als Paradigma der Stadt und des Öffentlichen, dessen politische und soziale Bedeutung sich bis in die Gegenwart fortsch...

Rinascimento conteso

'Rinascimento conteso' aims to construct a dialogue with challenges to the historiographical paradigm of a supposedly triumphant Renaissance, responding to sound criticisms of the term’s elitist connotations.

Vasaris Welten und die deutsche kommentierte Ausgabe der 'Vite' in den beiden Editionen von 1550 und 1568

Das Werk und Denken Giorgio Vasaris bildet für die europäische Kunstwissenschaft bis heute das wichtigste Referenzmodell und einen konstanten methodol...

Ecology and Aesthetics. Environmental Approaches in Art History (e/ae)

Ecological and aesthetic theories are intertwined in multiple ways. The project opens a dialogue with archeology, anthropology and history of science concerned with the "anthropocene", rethinking the nature/culture divide in a transcultural perspective, including notions of heritage and sustainability, creation and consumption.

Aesthetics, Art, and Architecture in the Caucasus (Georgia Project)

While most debates regarding intercultural dynamics between Christianity, Islam and Judaism are concerned with the Mediterranean, this project is concentrating on the art and architecture of South Caucasus, an under these premises hardly studied region comprising Georgia, Armenia and Azerbaijan as well as Georgian and Armenian heritage in Eastern Turkey.

Pompeii Arch&Lab

Eine natur- und geisteswissenschaftliche Untersuchung der Restaurierungs- und Musealisierungsgeschichte Pompejis verbunden mit dem Ziel der Entwicklung innovativer, nachhaltiger Restaurierungsmaterialien und Verfahren.

Storia dell'arte e catastrofi: L'italia sismica (sta-sis)

Un progetto transdisciplinare incentrato sul ruolo della storia dell’arte negli scenari post-catastrofe, con un’attenzione particolare al paesaggio e al patrimonio culturale italiani.

The Art of Containment

The Art of Containment is a recently started long-term collaborative research and exhibition project. It is concerned with all kinds of vessels and containers, their materiality, shape and decoration, their functions and agency, their biographies and itineraries. The project is the next step in the research focus on concepts and theories, relations and constellations of image and object (Ding/Bild).

Sacred Landscapes:
Between Materiality, Transportability and Narration (Jerusalem Project)

Sacred Landscapes, in particular deserts and mountains are liminal spaces and also places of aesthetic production or response. Their dimensions are material, narrative and iconic, and they are connected to monumental sacred sites. The long-term Jerusalem project is concerned with all these aspects and analyses the ways in which they are intertwined.

Research areas

Transregional Art Histories. Actors, Spaces, Ecologies from the 13th Century to the Present

Research in this unit focuses on the history of art and of aesthetic practices in transregional and ecological perspectives. With a strong interest in the materiality of art and of artistic practices, it investigates works of art in relation to place, space, and environment.

Art, Dialogue, History: Sources and Practice Discourses of Italian Art from a Historical Perspective

Understanding the complex objects of art history in their material and technical disposition and functionality requires deeper insight into the histor...

Bilderfahrzeuge. Aby Warburg’s Legacy and the Future of Iconology

Der Forschungsverbund hat zum Ziel, die Migration von Bildern, Artefakten und Ideen aus einer interdisziplinären Perspektive zu erforschen. Dabei geht es besonders um Beziehungen zwischen Kulturen, die sich in Zeit und Ort, Sprache, Religion und politischer Ordnung unterscheiden, und um die theoretischen Implikationen von solchen Migrations-, Transformations- und Interaktionsprozessen.

Convivencia: Iberian to Global Dynamics (500–1750)

Using the term CONVIVENCIA with a question mark, the project investigates the cooperative and conflictual interactions of different cultural and religious communities in the Iberian "world" from the sixth to the eighteenth centuries, also including comparative studies in other areas.

Il Progetto EUPLOOS

Il Progetto Euploos intende promuovere un dialogo internazionale tra la comunità dei ricercatori e degli studiosi offrendo uno strumento di ricerca in...

CENOBIUM – A Project for the Multimedia Representation of Romanesque Cloister Capitals in the Mediterranean Region

The aim of the CENOBIUM project is to facilitate, by means of high-resolution digital photography, video, 3D scanning and an interactive web interface, the analysis of the complex dynamics of artistic exchange in the 12th and 13th century.

Photography as Instrument and Medium of Art History

Historic photographic collections created with the purpose of art-historical documentation are also documents of the methods and the history of the discipline.

Photo Archives

'Photo Archives' is an open series of international scholarly activities dedicated to the interaction between photographic archives, photography and academic disciplines.

Etho-Ästhetiken des Visuellen

Die weitreichenden Beziehungen zwischen Kunst, Visualität und Ethik benötigen eine grundlegende Untersuchung. Die Kunst- und Bildgeschichte hat sich d...

4A Laboratory: Art Histories, Archaeologies, Anthropologies, Aesthetics

4A_Lab attempts to create a dialog between art history, archaeology, anthropology/ethnology, and aesthetic practices (4A), as well as other disciplines concerned with objects, practices, ecologies, and narratives.

Research areas

Exhibitions

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THE MÉTIERS OF THE PHOTOGRAPHER Roberto Sigismondi

beginning on 21 September 2020

Covid-19 Gallery

beginning on 01 March 2020

"Trésors d'art à la portée de tous" – Photographers' catalogues

beginning on 25 November 2019

Neo Rauch – Works from 2008 to 2019

17 October 2019 – 12 January 2020

Natalia Goncharova. A Woman of the Avant-garde with Gauguin, Matisse and Picasso

28 September 2019 – 12 January 2020

Encounters: Migrants * Photographers * Artists * Activists

beginning on 11 June 2019

Antony Gormley. ESSERE

26 February – 26 May 2019

Photography and Catastrophe
Antonio Di Cecco in dialogue with the collections of the Photo Library

beginning on 20 November 2018

Architecture in Photography

beginning on 04 June 2018

Work of the hand or work of the mind? Art and (in-)activity

15 May – 22 October 2018

Spagna e Italia in dialogo nell'Europa del Cinquecento

27 February – 27 May 2018

Unboxing Photographs: Working in the Photo Archive

16 February – 27 May 2018

Ramboux
Between Art and Art History

beginning on 20 November 2017

Ambrogio Lorenzetti

22 October 2017 – 08 April 2018

Exchanging Gazes
Between China and Europe 1669–1907

29 September 2017 – 07 January 2018

Giuliano da Sangallo's Surface Architecture

beginning on 12 June 2017

Into the Archive
On the Materiality of Photographs

beginning on 14 November 2016

Francesco Clemente
Fiori d’inverno a New York

29 June – 02 October 2016

The Salerno ivories – re-photographed

beginning on 13 June 2016

Stories of the Sea in Images

beginning on 08 May 2016

Photo-Objects and "Applied Arts" in the Photothek

beginning on 23 November 2015

Romualdo Moscioni
Apulia Monumentale

beginning on 04 May 2015

Visualizing the Invisible in Michelangelo's Drawings at Casa Buonarroti

beginning on 17 November 2014

Mschatta im Fokus
Das jordanische Wüstenschloss in historischen Fotografien

02 October 2014 – 30 July 2015

The Nomos of Images. Manifestations of the Law in Picture Atlases and Photo Archives

beginning on 05 May 2014

The Florentine Renaissance
The City as the Crucible of Culture

30 March – 03 June 2014

Florence circa 1900. The Photographic View

beginning on 25 November 2013

Florenz!

22 November 2013 – 09 March 2014

An Art Dealer's Photographs. The collection of Elia Volpi

beginning on 22 April 2013

Translatio Nummorum
Die zwölf ersten römischen Caesaren in der Renaissance

23 November 2012 – 15 March 2013

Size Matters. Scale and Measure in Photography

beginning on 05 November 2012

Il Dolce Potere delle Corde
Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento

21 June – 23 September 2012

MS Wissenschaft – Science Center 2012

18 June 2012

Bartolomeo Ammannati

beginning on 21 November 2011

Francesco Clemente
I Tarocchi

09 September – 06 November 2011

Research horizons and new technologies
The Euploos project for the Collection of the Gabinetto Disegni e Stampe degli Uffizi

29 June – 28 August 2011

Musiche di legni in riva d'Arno dai Canottieri a Ponte Vecchio

23 June – 15 July 2011

Gustav Ludwig. The photographic bequest

beginning on 20 June 2011

The Vasari Century
Florentine Draughtsmen of the Cinquecento

17 May – 21 August 2011

El Vuelo de las Imágenes
Arte plumario en México y Europa

24 March – 19 June 2011

Drawings from the Uffizi - rivisited

beginning on 14 February 2011

Sculptures from the Boboli Gardens

beginning on 18 October 2010

The Future of Tradition - The Tradition of Future
100 Years after the Exhibition 'Masterpices of Muhammedan Art' in Munich

17 September 2010 – 09 January 2011

Palazzo Grifoni Budini Gattai

beginning on 15 June 2010

Da Jacopo della Quercia a Donatello Le Arti a Siena nel primo Rinascimento

26 March – 11 July 2010

Natural artifizio - artifiziosa natura Grottos of the Early Modern Age in Italy

beginning on 22 February 2010

Sigilli

beginning on 19 October 2009

The Cloister of Monreale

beginning on 22 June 2009

Cimelia Photographica

beginning on 23 February 2009

Rothko / Giotto Tactility in Painting

06 February – 03 May 2009

Casa Vasari in Florence

beginning on 27 October 2008

Georgia - Medieval Monuments

beginning on 07 July 2008

Views of Florence from the print collection of the Photothek

beginning on 28 April 2008

ZANG TUMB TUUM…
100 works of Futurism

beginning on 28 January 2008

Contrappunti II
Arte contemporanea alla Casa Zuccari Pfadfinder - Sentieri Susanne Weirich

26 – 30 October 2007

Assisi 1997

beginning on 26 September 2007

Hilde Lotz-Bauer in Florence

beginning on 25 June 2007

Casa Zuccari
An artist's house in Florence

beginning on 02 April 2007

Contrappunti - Arte contemporanea alla Casa Zuccari Nel giardino delle Esperidi – Arance per HvM Erwin Wortelkamp

18 November – 10 December 2006

The Flood 1966

beginning on 30 October 2006

Publications

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Blogs

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nomoi

The Nomos of Images. Manifestation and Iconology of Law

A blog of the Minerva Research Group "The Nomos of Images. Manifestation and Iconology of Law"

Photo-Objects

Foto-Objekte. Fotografien als (Forschungs-) Objekte in Archäologie, Ethnologie und Kunstgeschichte

A blog of the joint project "Photo-Objects – Photographs as (Research) Objects in Archaeology, Ethnology and Art History"

Videos

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Online Conference

Ariella Minden and Luca Palozzi: Introduction

05 - 06 November 2020

Online Conference

Janis Bell: Corrected mistakes: Printing Leonardo in Paris

05 - 06 November 2020

Online Conference

Gerd Blum: Upside Down: The Fragment of a Failed Monument Presented as a Masterpiece of Success – Michelangelo’s Moses and His Inverted Tablets in Image and Text, 1513–1568

05 - 06 November 2020

Online Conference

Rachel E. Boyd: Waste not, want not: Repairing Renaissance glazed terracotta

05 - 06 November 2020

Online Conference

Nino Nanobashvili: The Rise and Fall of Anatomy: Alessandro Allori’s Unfinished Drawing Manual and his Iterative Struggles with It

05 - 06 November 2020

Online Conference

Caroline Murphy: Diagnosing Disorder: Girolamo di Pace da Prato’s “Memoriale” (1558) and Aqueous Expertise in the Tuscan Landscape

05 - 06 November 2020

Online Conference

Stephanie S. Dickey: Rembrandt’s Failure as a Printmaker

05 - 06 November 2020

Online Conference

Tianna Uchacz: Recipes for Failure: Experimenting, Repairing, and Quitting in Renaissance Toulouse

95 - 06 November 2020

Online Conference

Marco Collareta: Fortuna e sfortuna del colore nella scultura invetriata del Rinascimento

05 - 06 November 2020

Online Study Day

Giorgio Van Straten: Presentation

13 October 2020

Online Study Day

Costanza Caraffa: Introduction

13 October 2020

Online Study Day

Elizabeth Edwards: Street Views: An Everyday Dissemination of Photographs

13 October 2020

Online Study Day

Estelle Blaschke: Rarity vs. Ubiquity. Some Thoughts on the Institutionalisation of Photography

13 October 2020

Online Study Day

Paul Frosh: When is an Archive Also a Bank? Industry, Value and Economy in a Photographic Institution

13 October 2020

Online Study Day

Kelley Wilder: Photographs as Bureaucracy in the Business of Photography

13 October 2020

Online Study Day

Armin Linke: Artistic Practices in Photographic Archives: From Phenotypes to Image Capital

13 October 2020

Online Study Day

Joan M. Schwartz: Access Aims and Descriptive Affordances

13 October 2020

Online Study Day

Tiziana Serena: Making Choices. History is Not a Ready-Made: Institutionalisation as Re-Writing

13 October 2020

Conference

Fulvio Cervini: Spartimenti di Marte. Visioni e narrazioni nelle armature da parata

13 December, 2019

Conference

Sara Ragni: «Canone» dosiano e sue declinazioni nella genesi e nella decorazione delle cappelle gentilizie fiorentine

13 December, 2019

Conference

Ariana Farina: Facciate dipinte e teoria del partimento. Un dialogo possibile

13 December, 2019

EVENING LECTURE

Roberto Bellucci e Cecilia Frosinini: L’Adorazione dei Magi di Leonardo da Vinci prima e dopo il 1481

3 December, 2019

EVENING LECTURE

Luca Giuliani: Michelangelo, il David e la fionda

13 November, 2019

EVENING LECTURE

Dieter Blume: Between vices and virtues – How to survive in an Italian ‘Comune’ of the Trecento

13 November, 2019

Conference

Ariella Azoulay: Errata - Imperial Rights

16 December, 2019

Conference

Thomas Keenan: How to Make a Refugee

16 December, 2019

Conference

Katherine Bregengaard: Visualizing Universalism. A story of Unesco’s travelling Human Rights Exhibition, 1949 - today

16 December, 2019

International conference

Özge Calafato: A Collection in Abu Dhabi. Vernacular Photography, Archive and Heritage Making

24 – 25 October, 2019

International conference

Zoé E. Headley: Making the Private Public? Creating an Archive of Tamil Studio Photography

24 – 25 October, 2019

International conference

Zeinab Azarbadegan: Producing Knowledge of the Space in Nineteenth Century. The Golestan Palace Archive in Iran

24 – 25 October, 2019

International conference

Ahmet A. Ersoy/ Deniz Türker: Photography and the Archival Field at the Yıldız Palace (1876-1909)

24 – 25 October, 2019

International conference

Liam Buckley: Photo Archiving, Monasticism, and Yogic Life at Sivananda Ashram (Rishikesh, India)

24 – 25 October, 2019

International conference

Kylie Thomas: States of Emergency. Photographic Archives During and After Apartheid

24 – 25 October, 2019

International conference

Jessica Holland: Decolonial ‘Affordances’ in the Digital Archive

24 – 25 October, 2019

International conference

Ibrahim A. Ali: New Insights from the Photographic Archives of the Pioneer Studios of Antonio Beato and Attaya Gaddis

24 – 25 October, 2019

International conference

Rodrigo Porto Bozzetti: An International Collection of 1 Million Photographs: Diários Associados Rio de Janeiro

24 – 25 October, 2019

International conference

Sary Zananiri: Gleaning in the Archives. A Transnational Approach to Imaging and Palestine

24 – 25 October, 2019

International conference

Ping-Heng Chen: The Japanese and Guatemalan Collections of the Photographic Work of Yasu Kohei/Juan José de Jesús Yas

24 – 25 October, 2019

International conference

Giulia Paoletti: Escaping the Colonial Archive. The Itinerancy of Amadou Bamba’s Portrait

24 – 25 October, 2019

International conference

Deborah Schultz: Changing Contexts, Challenging Amnesia. Rosângela Rennó’s Rio-Montevideo

24 – 25 October, 2019

International conference

Shahidul Alam: Understanding Absence

24 – 25 October, 2019

International conference

Shamoon Zamir_Costanza Caraffa: Introduction

24 – 25 October, 2019

International conference

Margaret H.Ellis, C.Richard Johnson Jr, William A.Sethares: Computational Characterization of Leonardo’s Papers

12 October 2019

International conference

Barbara Fanini: Dai Glossari alla Leonardo//thek@ Nuovi strumenti e nuove prospettive d’indagine per il lessico vinciano

12 October 2019

International conference

Paolo Galluzzi: Leonardo//thek@1.0. Un’infrastruttura digitale per evitare il naufragio nell’oceano di dati del Codice Atlantico

12 October 2019

International conference

Claudio Calì: Filigrane dal Codice Atlantico. Proposta per una loro valorizzazione “design oriented”

12 October 2019

International conference

Pietro C. Marani: Trascrivere, pubblicare, catalogare il Codice Atlantico. Un bilancio degli ultimi cento anni

12 October 2019

International conference

Nicholas Pickwoad: Deconstructing the Forster Codices. An Artefactual History

11 October 2019

International conference

Claire Farago: Unfinished Business. Leonardo’s Artful Art and Its Written Legacy

11 October 2019

International conference

Frank Fehrenbach: Trasgressioni

11 October 2019

International conference

Francesca Borgo: Da sinistra a destra. Leonardo cambia direzione

11 October 2019

International conference

Domenico Laurenza: La compilazione del Codice Leicester

11 October 2019

International conference

Fabio Frosini: Come lavorava Leonardo. Un percorso nel labirinto delle sue carte

11 October 2019

Project presentation

Dirk Jacob Jansen: Magnum ac Novum Opus in Translatio Nummorum. A Digital Edition of Jacopo Strada’s Numismatic Corpus

15 October 2019

Project presentation

Jan Simane: Translatio Nummorum. The Project and its Prospects

15 October 2019

Project presentation

Volker Heenes: Strada’s Coin Drawings and Coin Descriptions and their Sources in the Census

15 October 2019

Project presentation

Timo Strauch: Ancient Coins and Renaissance Documentation of Coins in the Census of Antique Works of Art and Architecture Known in the Renaissance

15 October 2019

Matinée

Shruti Mahajan: Dastavez I Documents – Memory, Identity and the Archival Paradigm

October 07, 2019

Evening lecture

Andrea Pinotti: "Einfühlung als stilbildende Macht". Warburg, Hildebrand, Vischer, and Corporeal Empathy

25 September 2019

Evening lecture

Andreas Beyer: Die Renaissance vergegenwärtigen. Aby Warburg und André Jolles in Florenz um 1900

23 September 2019

Evening lecture

Arno Lederer: Weder alt noch neu

13 June 2019

Evening lecture

Bernhard Jussen: From Marcus Aurelius's Horse to the Sexuality of Christ

12 June 2019

Workshop: Raffaello e l’architettura

Anna Rebecca Sartore: Il vescovo e il cardinale

7 June 2019

Workshop: Raffaello e l’architettura

Amedeo Belluzzi: Palazzo Pandolfini a Firenze

7 June 2019

Conference

Peter Krieger: Contemporary Neo-Baroque Architecture and Neo-Colonial Ideology

3 – 5 June 2019

Conference

Jens Baumgarten: Invention of the Baroque and Discourses of the Neo-Baroque

3 – 5 June 2019

Conference

Laura Moure Cecchini: Italian Fascism and the Baroque

3 – 5 June 2019

Conference

Estelle Lingo: Baroque Visuality between Perspective and the Photograph

3 – 5 June 2019

Conference

Celeste Brusati: Painting Naturally in the Netherlands

3 – 5 June 2019

Conference

Lorenzo Pericolo: The Baroque Body as a Stylistic Paradox

3 – 5 June 2019

Conference

Evonne Levy: “Baroque”. Mnemosyne Atlas

3 – 5 June 2019

Conference

Baroque to Neo-Baroque: Curves of an Art Historical Concept

3 – 5 June 2019

Evening lecture

Zeynep D. Gürsel: A Picture of Health. Undressing Patients, Redressing Photographs

27 May 2019

Matinée

Josip Belamarić: The Conversion of Diocletian’s Mausoleum into the Cathedral of St. Domnius (Split, Croatia)

22 May 2019

Evening lecture

Andrea De Marchi: Alla ricerca di Verrocchio pittore

13 May 2019

Evening lecture

Gerhard Wolf: Broken Vases, Walking Vessels. The Art of Containment in 4½ Objects

30 April 2019

Evening lecture

Claudia Conforti: Giovanni Michelucci. L'architettura e la città

4 April 2019

Evening lecture

Mauro Mussolin: Palinsesti. Michelangelo e la carta

with an introduction by Alessandro Nova

5 March 2019

Workshop

Audrey Rieber: Translating Riegl. On the constitution of a postivist language of art

with an introduction by Marco Matteo Mascolo

1 March 2019

Workshop

Claudia Hopkins: 10 Years of 'Art in Translation' Reflections on Art History and Translation

with an introduction by Robert Brennan

1 March 2019

Workshop

Introduction by Alessandro Nova and Giovanna Targia

1 March 2019

Workshop

Achim Wurm: Traduzioni d’arte – A Practitioner’s View

with an introduction by Giovanna Targia

1 March 2019

Seminar

Noémie Etienne: Liotard and the Exotic

12 February 2019

Evening lecure

Ben Marzeion: Before the Deluge - the UNESCO World Heritage under Climate Change

with an introduction by Eva-Maria Troelenberg

22 June 2017

A Conversation

Joseph Rykwert and Francesco Pellizzi: A Conversation

within the conference "Streets, Routes, Methods I: Reflections on Paths, Spaces and Temporalities"

5 – 6 May 2017

Evening lecture

Giammarco Piacenti e Michele Bacci: Restaurare il Cielo

with an introduction by Gerhard Wolf and Maria Aresin

12 July 2016

Conference

Costanza Caraffa: Welcome and Introduction

within the conference "Photographic Objects: On the Materiality of Photographs and Photographic Archives in the Sciences"

15 – 17 February 2017

Lecture

Petra Trnková: The Unbearable (and Irresistible) Charm of “Duplicates”

within the conference "Photographic Objects: On the Materiality of Photographs and Photographic Archives in the Sciences"

15 – 17 February 2017

Lecture

Kelley Wilder: The Two Cultures of Word and Image. On Materiality and the Photographic Catalogue

within the conference "Photographic Objects: On the Materiality of Photographs and Photographic Archives in the Sciences"

15 – 17 February 2017

Lecture

H. Geismar and P. Laurenson: Finding Photography, Opening up the Photo-Object: A Dialogue between Anthropology and Conservation

within the conference "Photographic Objects: On the Materiality of Photographs and Photographic Archives in the Sciences"

15 – 17 February 2017

Re-opening

Research topics

Ethics and Architecture

Languages of Art History

Piazza e monumento

Rinascimento conteso

Vasaris Welten und die deutsche kommentierte Ausgabe der 'Vite' in den beiden Editionen von 1550 und 1568

Ecology and Aesthetics. Environmental Approaches in Art History (e/ae)

Aesthetics, Art, and Architecture in the Caucasus (Georgia Project)

Pompeii Arch&Lab

Storia dell'arte e catastrofi: L'italia sismica (sta-sis)

The Art of Containment

Sacred Landscapes: Between Materiality, Transportability and Narration (Jerusalem Project)

Transregional Art Histories. Actors, Spaces, Ecologies from the 13th Century to the Present

Art, Dialogue, History: Sources and Practice Discourses of Italian Art from a Historical Perspective

Bilderfahrzeuge. Aby Warburg’s Legacy and the Future of Iconology

Convivencia: Iberian to Global Dynamics (500–1750)

Il Progetto EUPLOOS

CENOBIUM – A Project for the Multimedia Representation of Romanesque Cloister Capitals in the Mediterranean Region

Photography as Instrument and Medium of Art History

Photo Archives

Etho-Ästhetiken des Visuellen

4A Laboratory: Art Histories, Archaeologies, Anthropologies, Aesthetics

THE MÉTIERS OF THE PHOTOGRAPHER Roberto Sigismondi

Covid-19 Gallery

"Trésors d'art à la portée de tous" – Photographers' catalogues

Neo Rauch – Works from 2008 to 2019

Natalia Goncharova. A Woman of the Avant-garde with Gauguin, Matisse and Picasso

Encounters: Migrants * Photographers * Artists * Activists

Antony Gormley. ESSERE

Photography and Catastrophe Antonio Di Cecco in dialogue with the collections of the Photo Library

Architecture in Photography

Work of the hand or work of the mind? Art and (in-)activity

Spagna e Italia in dialogo nell'Europa del Cinquecento

Unboxing Photographs: Working in the Photo Archive

Ramboux Between Art and Art History

Ambrogio Lorenzetti

Exchanging Gazes Between China and Europe 1669–1907

Giuliano da Sangallo's Surface Architecture

Into the Archive On the Materiality of Photographs

Francesco Clemente Fiori d’inverno a New York

The Salerno ivories – re-photographed

Stories of the Sea in Images

Photo-Objects and "Applied Arts" in the Photothek

Romualdo Moscioni Apulia Monumentale

Visualizing the Invisible in Michelangelo's Drawings at Casa Buonarroti

Mschatta im Fokus Das jordanische Wüstenschloss in historischen Fotografien

The Nomos of Images. Manifestations of the Law in Picture Atlases and Photo Archives

The Florentine Renaissance The City as the Crucible of Culture

Florence circa 1900. The Photographic View

Florenz!

An Art Dealer's Photographs. The collection of Elia Volpi

Translatio Nummorum Die zwölf ersten römischen Caesaren in der Renaissance

Size Matters. Scale and Measure in Photography

Il Dolce Potere delle Corde Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento

MS Wissenschaft – Science Center 2012

Bartolomeo Ammannati

Francesco Clemente I Tarocchi

Research horizons and new technologies The Euploos project for the Collection of the Gabinetto Disegni e Stampe degli Uffizi

Musiche di legni in riva d'Arno dai Canottieri a Ponte Vecchio

Gustav Ludwig. The photographic bequest

The Vasari Century Florentine Draughtsmen of the Cinquecento

El Vuelo de las Imágenes Arte plumario en México y Europa

Drawings from the Uffizi - rivisited

Sculptures from the Boboli Gardens

The Future of Tradition - The Tradition of Future 100 Years after the Exhibition 'Masterpices of Muhammedan Art' in Munich

Palazzo Grifoni Budini Gattai

Da Jacopo della Quercia a Donatello Le Arti a Siena nel primo Rinascimento

Natural artifizio - artifiziosa natura Grottos of the Early Modern Age in Italy

Sigilli

The Cloister of Monreale

Cimelia Photographica

Rothko / Giotto Tactility in Painting

Casa Vasari in Florence

Georgia - Medieval Monuments

Views of Florence from the print collection of the Photothek

ZANG TUMB TUUM… 100 works of Futurism

Contrappunti II Arte contemporanea alla Casa Zuccari Pfadfinder - Sentieri Susanne Weirich

Assisi 1997

Hilde Lotz-Bauer in Florence

Sacred Landscapes:
Between Materiality, Transportability and Narration (Jerusalem Project)

Photography and Catastrophe
Antonio Di Cecco in dialogue with the collections of the Photo Library

Ramboux
Between Art and Art History

Exchanging Gazes
Between China and Europe 1669–1907

Into the Archive
On the Materiality of Photographs

Francesco Clemente
Fiori d’inverno a New York

Romualdo Moscioni
Apulia Monumentale

Mschatta im Fokus
Das jordanische Wüstenschloss in historischen Fotografien

The Florentine Renaissance
The City as the Crucible of Culture

Translatio Nummorum
Die zwölf ersten römischen Caesaren in der Renaissance

Il Dolce Potere delle Corde
Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento

Francesco Clemente
I Tarocchi

Research horizons and new technologies
The Euploos project for the Collection of the Gabinetto Disegni e Stampe degli Uffizi

The Vasari Century
Florentine Draughtsmen of the Cinquecento

El Vuelo de las Imágenes
Arte plumario en México y Europa

The Future of Tradition - The Tradition of Future
100 Years after the Exhibition 'Masterpices of Muhammedan Art' in Munich

ZANG TUMB TUUM…
100 works of Futurism

Contrappunti II
Arte contemporanea alla Casa Zuccari Pfadfinder - Sentieri Susanne Weirich

Casa Zuccari
An artist's house in Florence