Clare Robertson: Annibale Carracci and his late Roman Patrons

Evening lecture

Annibale Carrracci's late years, following the unveiling of the Farnese Gallery, were difficult in many respects, and remain highly problematic. While continuing to work for Odoardo Farnese, who evidently regarded him as his own painter, Annibale was in considerable demand from other patrons in Rome, such as Cardinals Antonio Maria Salviati and Pietro Aldobrandini. He was, however, increasingly debilitated by illness.

This paper seeks to look at some of the strategies he adopted, as an artist who was particularly reluctant to deal with patrons at all, to cope with the pressure of work. In particular, it will consider the different ways in which he used his pupils, Albani and Domenichino, in a variety of commissions, including the Aldobrandini lunettes and the Herrera Chapel.

Clare Robertson is Reader in the History of Art at Reading University, where she teaches in Italian Renaissance and Baroque art, with a particular emphasis on painting, drawing and patronage. Her research is concerned with patronage in sixteenth and seventeenth century Rome and she has also worked on Renaissance iconography and the reception of antiquity, publishing in, amongst others, the Römisches Jahrbuch der Bibliotheca Hertziana, the Journal of the Warburg and Courtauld Institutes, Mélanges de l'École française de Rome, The Burlington Magazine and Master Drawings, She has also contributed numerous essays to published collections and to exhibition catalogues such as The Genius of Rome, 1592-1623 of 2001. She was co-curator, with Catherine Whistler of the exhibition, Drawings by the Carracci from British Collections, held at the Ashmolean Museum, Oxford, in 1996. Her book, Alessandro Farnese, Patron of the Arts, published by Yale University Press in 1992, won the 1993 Eric Mitchell Prize. She has also completed a forthcoming book on Annibale Carracci, with particular emphasis on his drawings, which will be published by the Bibliotheca Hertziana later this year. She has held a Fellowship and a Visiting Professorship at Villa I Tatti. She is also a Research Fellow of the British School at Rome, where her current project, which was supported by a Leverhulme Fellowship from 2003-6, is a study on the city of Rome in 1600.

Kunsthistorisches Institut in Florenz - Max-Planck-Institut
Konferenzsaal
Via Giuseppe Giusti 38
50121 Florenz
Prof. Dr. Alessandro Nova  
Telefon:+39 055 24911-85
E-Mail:dirnova@...

Newsletter

Unser Newsletter informiert Sie kostenlos über Veranstaltungen, Ausschreibungen, Ausstellungen und Neuerscheinungen des Kunsthistorischen Instituts in Florenz.

Wenn Sie unseren Newsletter beziehen möchten, tragen Sie bitte Ihren Namen und Ihre E-Mail-Adresse ein:

*Pflichtfeld

Hinweise zum Versandverfahren

Der Versand der Newsletter erfolgt mittels MailChimp, bei dem Ihre E-Mail-Adresse und Ihr Name zum Versand der Newsletter gespeichert werden.

Nach Ausfüllen des Formulars erhalten Sie eine sog. Double-Opt-In-E-Mail, in der Sie um Bestätigung der Anmeldung gebeten werden. Sie können dem Empfang der Newsletter jederzeit widersprechen (sog. Opt-Out). Einen Abmeldelink finden Sie in jedem Newsletter oder der Double-Opt-In-E-Mail.

Ausführliche Informationen zum Versandverfahren sowie zu Ihren Widerrufsmöglichkeiten erhalten Sie in unserer Datenschutzhinweis.