Mitteilungen des Kunsthistorischen Institutes in Florenz
XL (1996), Heft 1/2

Mitteilungen des Kunsthistorischen Institutes in Florenz

XL (1996), Heft 1/2

Almut Stolte
Der Maestro di Gherarduccio kopiert Giotto. Zur Rezeption der Arena-Fresken in der oberitalienischen Buchmalerei zu Beginn des 14. Jahrhunderts (pp. 2–41)

Volker Hoffmann
Masaccios Trinitätsfresko: Die Perspektivenkonstruktion und ihr Entwurfsverfahren (pp. 42–77)

Eike D. Schmidt
Die Überlieferung von Michelangelos verlorenem Samson-Modell (pp. 78–147)

Salvatore Pisani
Der Palazzo Spinelli di Tarsia in Neapel: Domenico Antonio Vaccaro und die Kunst des Barocchetto (pp. 148–211)


Valentino Pace
Per Iacopo Torriti, frate, architetto e "pictor" (pp. 212–221)

Luca Geroni
Carlo Crivelli e il Monogrammista E.S. (pp. 222–231)

Peter Porçal
Due lettere sulle imprese di casa Gonzaga. Contributo alla prassi pre-accademica delle prime imprese italiane (pp. 232–235)

Hannelore Nützmann
Ein Berufsleben: Frida Schottmüller (pp. 236–244)


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