From Battleground to Pictorial Field. Representing War in the Italian Renaissance

Francesca Borgo

This study aims to restore the centrality that battle painting held in the Cinquecento, when artistic practice and theory first articulated its modes of depiction. Contemporary treatises on art describe military scenes as a privileged venue for exploring fundamental pictorial problems and manipulating the dynamics of visual perception. While recommending the use of an exceptionally forceful style, they regard battle scenes as the embodiment of artistic excellence, both ancient and modern, and as the prototype of the powerfully affective image. Focusing on the nature of representational practice itself, rather than on the authenticity of the representation, this project foregrounds the perceptual and rhetorical implications of images of conflict. It explores the vital role that the genre played in the art-critical discourse of the time and investigates how the formal qualities of battle scenes engaged with broader issues of meaning, use, and reception.


Our Newsletter provides you with free information on events, tenders, exhibitions and recent publications from the Kunsthistorisches Institut in Florenz.

If you would like to receive our newsletter, please enter your name and e-mail address:

*required field

Notes on the content of the newsletter and transit procedures

This letter is sent via MailChimp, where your e-mail address and name will be saved for sending the newsletter.

Once you have completed the form, you will receive a "Double-Opt-In-E-Mail," in which you are asked to confirm your registration. You can cancel your subscription to the Newsletter at any time ("Opt-out"). You will find an unsubscribe link in every Newsletter and in the Double-Opt-in-E-Mail.

You will receive detailed information about transit procedures and your withdrawal options in our privacy policy.