A place of presence, encounters, and collaborations between scholars of high international level, the KHI sees its role in co-shaping the future of the discipline, in dialogue with other fields such as anthropology, conservation sciences, archaeology, philosophy, and history. Over the last years the projects of the KHI have focused on the histories of art, architecture and photography from a transcultural perspective in a wide chronological and geographical range. At the KHI, (art) historical research is intertwined with a critical engagement in contemporary debates and challenges, such as ecology, aesthetics, ethics, urbanization, heritage, geopolitics, migration, discourses and practices of care, visual and material culture, global art worlds, the future of museums and politics of archives, as well as codifications, languages and narratives, artificial intelligence, digital transformation, and others. What does it mean and how does it work to do art history under such conditions and concerns? This is one of the prime questions the KHI community of scholars is engaging with in their projects and collaborations.
A place of presence, encounters, and collaborations between scholars of high international level, the KHI sees its role in co-shaping the future of the discipline, in dialogue with other fields such as anthropology, conservation sciences, archaeology, philosophy, and history. Over the last years the projects of the KHI have focused on the histories of art, architecture and photography from a transcultural perspective in a wide chronological and geographical range. At the KHI, (art) historical research is intertwined with a critical engagement in contemporary debates and challenges, such as ecology, aesthetics, ethics, urbanization, heritage, geopolitics, migration, discourses and practices of care, visual and material culture, global art worlds, the future of museums and politics of archives, as well as codifications, languages and narratives, artificial intelligence, digital transformation, and others. What does it mean and how does it work to do art history under such conditions and concerns? This is one of the prime questions the KHI community of scholars is engaging with in their projects and collaborations.
