Kelley Wilder: Photography and the Archive
Im Rahmen der Vortragsreihe "Fotografie als Instrument und Medium der Kunstgeschichte" der Photothek des Kunsthistorischen Instituts in Florenz
May 1993: Kenyon College, BA cum laude in Studio Art and English Literature. 1995: George Eastman House, Photographic Preservation and Archives Practice, Certification. Summer 1996: University of Rochester, New York, Masters courses: Vision and Photography (theory); From Michelangelo to Modernity (survey art history). December 2003: University of Oxford, Dr. Phil. (PhD), title of the Doctoral Thesis: "Ingenuity, Wonder and Profit: Language and the Invention of Photography". 2000 - 2003: Assistant Editor, The Correspondence of William Henry Fox Talbot, University of Glasgow, Glasgow, Scotland (www.foxtalbot.dmu.ac.uk). 31 March - 31 September, 2004: Research Fellow, Photographs Exhibited in Britain 1839 - 1865, De Montfort University, Leicester, U.K. (www.peib.org.uk). 1 September 2005 - 30 August 2008: Research Scholar, Max Planck Institute for the History of Science, Berlin; Project: The Nature of Photographic Evidence, as a part of The History of Scientific Observation, Department II, director Lorraine Daston.
This event will be documented photographically and/or recorded on video. Please let us know if you do not agree with the Kunsthistorisches Institut in Florenz using images in which you might be recognizable for event documentation and public relation purposes (e.g. social media).
Via Giuseppe Giusti 38