Kunsthistorisches Institut in Florenz

Work with us

Doctoral and Postdoctoral Positions (M/F/D)

Minerva Fast Track Group Architectures of Finance

Deadline: 27 November 2025

Workshop

Florentine
Provenances

The Circulation of Cultural Assets in Florence,
20th-21st Centuries

10. – 11. November 2025

Symposium

Coded. A Somewhat Emotional State

12. – 14. November 2025

15. Dezember 2025

Call for Papers/Applications

CfA: Studentische Hilfskraft (w/m/d) (Teilzeit, 19 Stunden pro Woche)

Kunsthistorisches Institut in Florenz – Max-Planck-Institut

Alle Call for Papers/Applications

27. November 2025

Stellen

Doctoral and Postdoctoral Positions (M/F/D)

The Minerva Fast Track Group “Architectures of Finance,” headed by Dr. Eva Schreiner within the department of Prof. Dr. Gerhard Wolf at the Kunsthistorisches Institut in Florenz – Max Planck Institute, seeks to appoint one Doctoral and one Postdoctoral Position (M/F/D).

Alle Stellen

Bibliothek und Photothek

Die Bibliothek und Photothek sind für Benutzer*innen mit einem gültigen Bibliotheksausweis von Montag bis Freitag von 09:00 bis 20:00 Uhr zugänglich.

Alle anzeigen

Forschungsthemen

The Art of Containment

The Art of Containment is a long-term collaborative research project concerned with all kinds of vessels and containers, their materiality, shape and decoration, their functions and agency, their biographies and itineraries. The project is the next step in the research focus on concepts and theories, relations and constellations of image and object (Ding/Bild).

Forschungsbereiche

Storia dell'arte e catastrofi: L'italia sismica (sta-sis)

Un progetto transdisciplinare incentrato sul ruolo della storia dell’arte negli scenari post-catastrofe, con un’attenzione particolare al paesaggio e al patrimonio culturale italiani.

Ecology and Aesthetics. Environmental Approaches in Art History (e/ae)

Ecological and aesthetic theories are intertwined in multiple ways. The project opens a dialogue with archeology, anthropology and history of science concerned with the "anthropocene", rethinking the nature/culture divide in a transcultural perspective, including notions of heritage and sustainability, creation and consumption.

Sacred Landscapes:
Between Materiality, Transportability and Narration (Jerusalem Project)

Sacred Landscapes, in particular deserts and mountains are liminal spaces and also places of aesthetic production or response. Their dimensions are material, narrative and iconic, and they are connected to monumental sacred sites. The long-term Jerusalem project is concerned with all these aspects and analyses the ways in which they are intertwined.

The Southern Caucasus Regions: Heritage, Landscape and Narratives

The Southern Caucasus region (between the Black Sea and the Caspian Sea) encompasses Georgia, Armenia and Azerbaijan, including territories located in...

Iconologies and Iconospheres of the Sea, ca. 1200–1650, III: Liquid Materialities

The project investigates the interdependencies of art and nature and the production of knowledge in mainly Western, pre-modern worlds, by studying the...

Ship Ex-Voto as Objects, Metaphors and Figures of Communality, from Antiquity to the Nineteenth Century

A canvas by the French artist Ulysse Butin, presented at the Salon in Paris in 1881, sentimentally evokes a maritime votive scenario showing a young l...

Transregional Art Histories. Actors, Spaces, Ecologies from the 13th Century to the Present

Die Research Group widmet sich der Geschichte der Kunst und der ästhetischen Praktiken aus transregionaler und ökologischer Perspektive. Mit einem Schwerpunkt auf der Materialität werden Kunstwerke oder ästhetische Praktiken im Verhältnis zu Orten, Räumen und Umgebungen untersucht.

Vasaris Welten und die deutsche kommentierte Ausgabe der 'Vite' in den beiden Editionen von 1550 und 1568

Das Werk und Denken Giorgio Vasaris bildet für die europäische Kunstwissenschaft bis heute das wichtigste Referenzmodell und einen konstanten methodol...

Rinascimento conteso

'Rinascimento conteso' aims to construct a dialogue with challenges to the historiographical paradigm of a supposedly triumphant Renaissance, responding to sound criticisms of the term’s elitist connotations.

Languages of Art History

How did conventions of art historical writing come into being across various linguistic traditions, and how have they survived and developed out of inter-linguistic exchange?

Forschungsbereiche

Ethik und Architektur

Das Spektrum der Fragen nach dem Verhältnis von Ethik und Architektur ist breit. Es reicht von der Vitruv- und Aristotelesrezeption des Trecento über Überlegungen zur moralischen Dimension von Architektur im 18. Jahrhundert bis hin zur aktuellen Theorie und Praxis des Bauens.

Fotografie als Instrument und Medium der Kunstgeschichte

Historische Fotosammlungen, die zu kunsthistorischen Dokumentationszwecken angelegt wurden, bilden beispielhaft die methodische und inhaltliche Geschichte des Faches ab.

Photo Archives

'Photo Archives' ist eine offene wissenschaftliche Veranstaltungsreihe, die sich Fragen der Wechselbeziehungen zwischen Fotoarchiven, Fotografie und akademischen Disziplinen widmet.

CENOBIUM - Ein Projekt zur multimedialen Darstellung romanischer Kreuzgangkapitelle im Mittelmeerraum

CENOBIUM verfolgt das Ziel, einen Beitrag zur Analyse der komplexen Dynamiken künstlerischen Austausches im 12. und 13. Jahrhundert zu leisten und bedient sich dabei hochauflösender Digitalfotografie, Video, 3D-Scanning und einer interaktiven Weboberfläche.

Il Progetto EUPLOOS

Il Progetto Euploos intende promuovere un dialogo internazionale tra la comunità dei ricercatori e degli studiosi offrendo uno strumento di ricerca in...

Etho-Ästhetiken des Visuellen

Die weitreichenden Beziehungen zwischen Kunst, Visualität und Ethik benötigen eine grundlegende Untersuchung. Die Kunst- und Bildgeschichte hat sich d...

The City as Archive. Histories of Collecting and Archiving in and the Musealisation of Florence, Eighteenth Century to the Present

In November 1916 a spectacular auction took place in the city of New York, when the art dealer, collector and trained artist Elia Volpi (1858–1938) so...

Die Erbauung der Seele. Leon Battista Albertis Dialog Über die Seelenruhe

Das Projekt widmet sich der ersten deutschen Übersetzung und Kommentierung von Leon Battista Albertis Dialog Profugiorum ab aerumna libri III, au...

Perspektivwechsel: Kunst und Philosophie nach Wittgenstein

Im Vorwort zu den Philosophischen Untersuchungen beschreibt Ludwig Wittgenstein das Resultat seiner langjährigen Denkbewegungen wie folgt: "Die philos...

Zwischen Ethos und Exzess? Eine Kritik des Erhabenen

"Le sublime est à la mode" – Jean-François Lyotards 1984 formulierter Satz scheint heute keine Gültigkeit mehr zu besitzen. Gerade in den Visual&...

Forschungsbereiche

Aktion ǀ Retraktion: Tschechoslowakische Kunst und Philosophie im internationalen Kontext, 1945–1989

Die in den letzten Jahren zu beobachtende Tendenz, die eindimensionale, noch immer zutiefst westlich geprägte Geschichte des (Post-)Modernismus infrag...

4A Laboratory: Art Histories, Archaeologies, Anthropologies, Aesthetics (2019–2023)

Eine Kooperation des Kunsthistorischen Institut in Florenz, Max-Planck-Institut, und der Stiftung Preußischer Kulturbesitz zusammen mit der Humboldt-Universität zu Berlin und dem Forum Transregionale Studien

4A Laboratory: Art Histories, Archaeologies, Anthropologies, Aesthetics

4A_Lab möchte einen neuen Dialog zwischen Kunstgeschichte, Archäologie, Ethnologie und Ästhetik und anderen Disziplinen in Gang bringen mit Blick auf Objekte, Praktiken, Ökologien und Narrationen.

Digital Humanities Lab

The Digital Humanities Laboratory (DH Lab) is an interdisciplinary research center within the Kunsthistorisches Institut in Florenz that focuses on in...

Materiality and (In-)Visibility: Women in Socialist and Post-Socialist Public Spaces

This trans-disciplinary project explores the multiple presences of women within socialist and post-socialist public spaces, focusing on their represen...

The Aesthetics of Marble

The project combines geo-aesthetics with an exploration of the metaphorical and transmaterial dimension of marble. The historical focus spans from Late Antiquity to the twenty-first century, looking at certain “marble moments”, mostly in the history of architecture, such as Roman and Byzantine wall decoration, early Omayyad art, Venetian medieval marble cladding, Roman baroque chapels, and the early twentieth century rethinking of wall decoration.

The Ligurian Complex. Case Studies in Ecology and Aesthetics

The project examines the complex overlaying and interpenetration of horizontal, vertical, or entangled spaces in Liguria, which are a challenge for an art historical investigation of both the production of landscape, terraforming, the interaction of human and non-human factors, and their aesthetics.

A Heritage Observatory of Socialist Worlds

This project focuses on the artistic, visual, and material culture of the former Soviet Union and Socialist worlds. Reflecting on the profoundly different realities of the States that were part of the Soviet sphere, as well as on the historiography and narratives, including ideological ones, that have affected issues of museography, restoration, protection and valorization, the project contributes to the understanding of architecture, art and heritage in the twentieth century.

Heritage, Art History, Tourism (H.A.T.)

H.A.T. was launched in 2019 as a platform for transdisciplinary conversations and research on the entanglement between heritage, art history, and tourism in a global horizon. The project is concerned with landscapes and territory, and with historical and contemporary dynamics of archaeology, architecture, site management and exploitation.

The Space of Childhood: The Adler Collection between Architecture, Art, History, Pedagogy and Creativity

This project studies a recent donation to the Biblioteca Nazionale Braidense in Milan: the unpublished correspondence of the architects Hedwig Feldmann and Hans Edward Adler, dating back to their stay in the USSR from 1930 to 1933, as well as their collection of 257 Soviet children’s books, most of which were published between the 1920s and 1933.

Forschungsbereiche

Practices of Imagination

Against the backdrop of contemporary debates over the creative potential and embodiment of cognitive processes, imagination, a concept that according ...

Phenomenon ‘Colour’: Aesthetics – Epistemology – Politics

Colour and its perception is dependent on a variety of subjective predispositions and external physical conditions, and is decisively determined by so...

Photo-Objects, Cultural Displays, and Rhetorics of Value

Systems of value impact the lives of photographs as well as the work practices in art-historical photo archives.

Objects of Migration, Photo-Objects of Art History: Encounters in an Archive

Objects of Migration, Photo-Objects of Art History: Encounters in an Archive is a joint project by the Photothek and the artist Massimo Ricciardo. It links questions of the archive with burning issues of global migration, rhetorics of value and cultural heritage.

„La duplice polarità estetica e storica“ – Methode, Ästhetik und Funktion der Fotografien im Werk der Restauratorin Barbara Schleicher

Die international renommierte Restauratorin Barbara Schleicher (*1937) war in den Jahren 1960–2014 vor allem für Denkmalbehörden, Kirchen und Museen in der Toskana tätig.

Studies on the Photography, Laboratory, and Archival Practice of Anton Hautmann around 1860

Anton Hautmann, who was born in Munich in 1821, settled in Florence as a sculptor in 1849, where he was also active as a photographer from 1858 until his death in 1862. As one of the pioneers of stereoscopic photography, he is best known for his views of Florentine architecture and the cityscape.

On Alinari: Archive in Transition

Artist Armin Linke participates in a dialogue between theory and practice that examines and questions the process of institutionalizing photographic archives.

The Photographers’ Sales Catalogue Collection of the Photothek

Photographers’ Sales Catalogues are essential sources for the study of professional photographers, photographic ateliers as well as the photographs themselves since they contain important information concerning techniques, circulation, dating and attribution.

The King’s Finger, the Mermaid’s Body and the Power of the Sea

This project explores aspects of the transformative power of art by looking at a pair of medieval gloves. Among its particularly rare and precio...

Cultural Possessions

The Prussian Cultural Heritage Foundation is a complex legal structure that serves as the subject of this art historical and artistic investigat...

Forschungsbereiche

Empires, Environments, Objects

Max-Planck Partner Group 2022-2027
Pontificia Universidad Católica del Perú, Lima – Kunsthistorisches Institut in Florenz

Sounds of Melancholy

Die „Farben“ der Melancholie standen im elisabethanischen Zeitalter hoch im Kurs bei Philosophen und Dichtern, in der Kunst und in der Musik: 88 versc...

OSCOP – Observing South Caucasus’ Historical Landscape: An Open Photo Archive

The OSCOP project aims to critically recover the collection of photographs on the cultural heritage of the South Caucasus taken in the Soviet period by scholars working at the Centro Studi e Documentazione della Cultura Armena, founded in Milan by Adriano Alpago Novello in 1976.

Coded Objects

"Coded Objects" stellt als methodische Perspektive jegliche Annahme "neutraler" Technologie oder immaterieller Bürokratie in Frage. Stattdessen untersucht die Lise-Meitner-Gruppe, wie Prozesse durch Objekte Werte formen—und wie Objekte wiederum gesellschaftliche Prozesse formatieren.

Fragile Objects, Coded Knowledge (Architecture's Archives)

In architecture, the construction of disciplinary knowledge has been bound to the making of objects and their processes—be it plans, models, sketches or renderings—and their subsequent preservation: what the archive holds informs the histories that are written. In order to question its seemingly stable categories and include marginalized makers, the Lise Meitner Group’s project embraces fragile objects as a way to understand how disciplinary knowledge has been coded.

The Intelligence of Loss in the Archive

Archives are core sites of destruction, decay, and loss—whether through man-made causes or so-called natural disasters, much of humanity’s stored material has been, and continues to be, eradicated. But what if we treated forgetting not as a bug, but as a feature? While AI is hailed as a promise against loss, its own processes of erasure follow distinct patterns, revealing new ways of managing archival sustainability. This project approaches the intersection of archival disappearance and AI-driven erasure, reframing loss as a promise of other ways of knowing.

Hidden in Plain Sight

An Installation of Archive Objects. Oil Paintings, varying DIN formats. Files from the saai archive are stripped of their archival value: all information is removed, at least all textual one. Instead, what we see is their carrying material, namely, different paper formats. By translating archival files into a currency long dominated art historical discourse and production—the oil painting—questions of value become suddenly transposed, as well. Can we forego the primate of the values given and reconceive what we are looking for—which may be hidden in plain sight?

Nation of Norms: Designing German Worldviews One Object at a Time

Objects shape how one touches and views one’s world. This book traces histories where regulated objecst and standardized processes became instruments toward materializing a new worldview, and follows actors who attempted to reshape a German nation on paper, time and time again.

The Matter of Metadata: Archival Constructs between Index Cards and AI

If you were to browse through the complete catalog of the saai, one would find works by over 200 offices and architects—yet only a few of them are women, or involve practices and spaces created for or by marginalized groups or diverse actors. If metadata are understood as objects, as are their processes, infrastructures and consequences, then techniques for their virtual indexing can be learned from the human-made information from collected objects. Only by critically examining the archive's material techniques and value systems can blind spots be revealed—and addressed in AI applications.

Impact Research in Architecture and Urbanism

The DFG network “Impact Research in Architecture and Urbanism” meets regularly to develop and test methodological approaches, in addressing unclear concepts of impact at work in the built environment. In collaboration with the Lise Meitner Group “Coded Objects”, it develops experimental methods for studying the objects that shape our environments and brings together scattered knowledge across disciplines.

Kalender

Alle anzeigen

10. – 11. November 2025

Workshop

Florentine Provenances. The Circulation of Cultural Assets in Florence, 20th-21st Centuries

Florenz & online

12. – 14. November 2025

Symposium

Coded. A Somewhat Emotional State

Florence & online

09. Dezember 2025

Conversation

It’s a Match! Petter Hellström and Toby Yuen-Gen Liang on Seeing Blank Spaces

Florence & online

11. März 2026

Führung

Alisha Rankin and Julia Voss in conversation at Deutsches Historisches Museum, Berlin

Deutsches Historisches Museum, Berlin

Ausstellungen

Alle anzeigen

Armin Linke:
The City as Archive. Florence

12. November 2025 – 31. Januar 2026

Photography * Research * Library

ab 16. Juni 2025

Von Dante bis Picasso. 12 Werke aus der Biblioteca Serlupiana

03. – 17. Juni 2025

Conversazioni Serlupiane I - Die ausgestellten Werke

07. März 2025

TRANSITIONS: Via Modena 13

ab 14. Oktober 2024

Burma. L'arte di Sawangwongse Yawnghwe fra Birmania ed Europa.

21. September – 03. November 2024

Abolition Garden muSa Michelle Mattiuzzi Installation & Study Display

20. – 25. September 2024

Fuori Formato Bücher jenseits der Norm

13. Juni 2024

Kunst der Freiheit – Experimentierfelder in Worten und Bildern

14. Mai – 15. September 2024

Hilde in Italia. Arte e vita nelle fotografie di Hilde Lotz-Bauer

17. Januar – 05. Mai 2024

Palazzo Buontalenti. Eine Fotokampagne

ab 11. Dezember 2023

„Dem kunsthistorischen Institut ergebenst zur Lektüre empfohlen“ Schenkungen Aby Warburgs von der Institutsgründung bis zu seinem Tod (1897-1929)

17. Oktober 2023

Works by Alexander Kluge with Katharina Grosse and by Armin Linke in occasion of the exhibition "Aby Warburg, il Kunsthistorisches Institut in Florenz e il laboratorio delle immagini"

12. Oktober – 10. Dezember 2023

Aby Warburg, il Kunsthistorisches Institut in Florenz e il laboratorio delle immagini

12. Oktober – 10. Dezember 2023

Rooms with a View. Aby Warburg, Florenz und das Labor der Bilder

19. September – 10. Dezember 2023

Die Sammlung Hautmann

ab 05. Juni 2023

Das Universum in Bildern – Wissen und Vorstellung in Geschichte und Gegenwart

09. Mai – 27. September 2023

Rhythm and Colour Foregrounding Music in Indian Album Paintings (16th-18th Centuries)

28. April – 25. Juni 2023

Nicolò Degiorgis 102 metri

29. März – 30. April 2023

Inspiration und Ordnung. Die Bibliothek – seit 125 Jahren ein Ort der Forschung

12. Dezember 2022

„Mudejarismo“ und „maurisches Revival“

ab 14. November 2022

IMAGE CAPITAL by Estelle Blaschke and Armin Linke: exhibition at Fondazione MAST

22. September 2022 – 08. Januar 2023

Figurationen des Raums. Alberti-Drucke in der Rara-Abteilung der Bibliothek

25. April 2022

Archivpraktiken in der Photothek

ab 20. April 2022

In edlem Gewand – Historische Einbandpapiere in der Bibliothek

16. Dezember 2021

ART HISTORY WITH A CAMERA. The photography of Ralph Lieberman

ab 29. November 2021

Sammlung Joseph Beuys

20. Juli 2021

Retusche – Bildmanipulationen in der Fotografie

ab 03. Mai 2021

DIE METIERS DES FOTOGRAFEN Roberto Sigismondi

ab 21. September 2020

Covid-19 Gallery

ab 01. März 2020

"Trésors d'art à la portée de tous" – Die Verkaufskataloge der Fotografen

ab 25. November 2019

Neo Rauch – Works from 2008 to 2019

17. Oktober 2019 – 12. Januar 2020

Natalia Goncharova. A Woman of the Avant-garde with Gauguin, Matisse and Picasso

28. September 2019 – 12. Januar 2020

Encounters: Migrants * Photographers * Artists * Activists

ab 11. Juni 2019

Antony Gormley. ESSERE

26. Februar – 26. Mai 2019

Photographie und Katastrophe Antonio Di Cecco im Dialog mit den Sammlungen der Photothek

ab 20. November 2018

Architecture in Photography

ab 04. Juni 2018

Handarbeit oder Denkarbeit? Die Kunst und das (Nichts-)Tun

15. Mai – 22. Oktober 2018

Spagna e Italia in dialogo nell'Europa del Cinquecento

27. Februar – 27. Mai 2018

Unboxing Photographs Arbeiten im Fotoarchiv

16. Februar – 27. Mai 2018

Ramboux Zwischen Kunst und Kunstgeschichte

ab 20. November 2017

Ambrogio Lorenzetti

22. Oktober 2017 – 08. April 2018

Wechselblicke Zwischen China und Europa 1669-1907

29. September 2017 – 07. Januar 2018

Giuliano da Sangallos Architektur der Fläche

ab 12. Juni 2017

Into the Archive
On the Materiality of Photographs

ab 14. November 2016

Francesco Clemente
Fiori d’inverno a New York

29. Juni – 02. Oktober 2016

Die Elfenbeintafeln in Salerno – neu fotografiert

ab 13. Juni 2016

Bildergeschichten vom Meer

03. Mai 2016 – 08. Oktober 2017

Foto-Objekte und Kunstgewerbe in der Photothek

ab 23. November 2015

Romualdo Moscioni
Apulia Monumentale

ab 04. Mai 2015

Visualisierung des Unsichtbaren in Zeichnungen Michelangelos aus der Casa Buonarroti

ab 17. November 2014

Mschatta im Fokus
Das jordanische Wüstenschloss in historischen Fotografien

02. Oktober 2014 – 30. Juli 2015

Nomos der Bilder
Manifestationen des Rechts in Bildatlanten und Fotoarchiven

ab 05. Mai 2014

The Florentine Renaissance
The City as the Crucible of Culture

30. März – 03. Juni 2014

Florenz um 1900. Der fotografische Blick

ab 25. November 2013

Florenz!

22. November 2013 – 09. März 2014

Fotografien eines Kunsthändlers. Die Sammlung Elia Volpis

ab 22. April 2013

Translatio Nummorum
Die zwölf ersten römischen Caesaren in der Renaissance

23. November 2012 – 15. März 2013

Size Matters. Scale and Measure in Photography

ab 05. November 2012

Il Dolce Potere delle Corde
Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento

21. Juni – 23. September 2012

MS Wissenschaft - Das schwimmende Science Center 2012

18. Juni 2012

Bartolomeo Ammannati

ab 21. November 2011

Francesco Clemente I Tarocchi

09. September – 06. November 2011

Research horizons and new technologies
The Euploos project for the Collection of the Gabinetto Disegni e Stampe degli Uffizi

29. Juni – 28. August 2011

Musiche di legni in riva d'Arno dai Canottieri a Ponte Vecchio

23. Juni – 15. Juli 2011

Gustav Ludwig. Der fotografische Nachlass

ab 20. Juni 2011

Das Jahrhundert Vasaris
Florentiner Zeichner des Cinquecento

17. Mai – 21. August 2011

El Vuelo de las Imágenes Arte plumario en México y Europa

24. März – 19. Juni 2011

Zeichnungen aus den Uffizien - neu gesehen

ab 14. Februar 2011

Skulpturen aus dem Boboli-Garten

ab 18. Oktober 2010

Zukunft der Tradition - Tradition der Zukunft
100 Jahre nach der Ausstellung 'Meisterwerke muhammedanischer Kunst' in München

17. September 2010 – 09. Januar 2011

Palazzo Grifoni Budini Gattai

ab 15. Juni 2010

Da Jacopo della Quercia a Donatello Le Arti a Siena nel primo Rinascimento

26. März – 11. Juli 2010

Natural artifizio - artifiziosa natura Grotten der frühen Neuzeit in Italien

ab 22. Februar 2010

Sigilli

ab 19. Oktober 2009

Der Kreuzgang von Monreale

ab 22. Juni 2009

Cimelia Photographica

ab 23. Februar 2009

Rothko / Giotto Die Berührbarkeit des Bildes

06. Februar – 03. Mai 2009

Casa Vasari in Florenz

ab 27. Oktober 2008

Georgien - Mittelalterliche Monumente

ab 07. Juli 2008

Florentiner Ansichten aus der druckgraphischen Sammlung der Photothek

ab 28. April 2008

ZANG TUMB TUUM...
100 Werke des Futurismus

ab 28. Januar 2008

Contrappunti II
Arte contemporanea alla Casa Zuccari Pfadfinder - Sentieri Susanne Weirich

26. – 30. Oktober 2007

Assisi 1997

ab 26. September 2007

Hilde Lotz-Bauer in Florenz

ab 25. Juni 2007

Casa Zuccari
Ein Florentiner Künstlerhaus

ab 02. April 2007

Contrappunti - Arte contemporanea alla Casa Zuccari Nel giardino delle Esperidi – Arance per HvM Erwin Wortelkamp

18. November – 10. Dezember 2006

Die Flut 1966

ab 30. Oktober 2006

Publikationen

Alle anzeigen

Blogs

Alle anzeigen

KHI

KUNST.LOG

Ein Blog für Kunstgeschichte mit Interviews, Rezensionen, aktuellen Forschungen und Berichten aus dem Kunsthistorischen Institut in Florenz – Max-Planck-Institut

Digital Humanities

DH Lab blog

The Digital Humanities Laboratory (DH Lab) of the Kunsthistorisches Institut in Florenz is an interdisciplinary research hub dedicated to integrating, utilising, and developing novel methodologies to unlock the full potential of the institute’s vast resources — including the photo library, library, and research findings — while fostering new research questions, approaches, and methods at the intersection of Arts, Humanities, and Computer Science.

GAP – Graffiti Art in Prison

GAP blog

Ein Blog mit Artikeln, Rezensionen, Interviews und Multimediaprodukten der Promovierenden des GAP-Projekts

nomoi

The Nomos of Images. Manifestation and Iconology of Law

Ein Blog der Minerva Forschungsgruppe "Nomos der Bilder. Manifestation und Ikonologie des Rechts"

Photo-Objects

Foto-Objekte. Fotografien als (Forschungs-) Objekte in Archäologie, Ethnologie und Kunstgeschichte

Ein Blog des Verbundprojektes "Foto-Objekte – Fotografien als (Forschungs-) Objekte in Archäologie, Ethnologie und Kunstgeschichte"

Videos

Alle anzeigen

Vortrag

Kathryn Rudy:
Touching Narratives in Prayerbooks: a Taxonomy

04. März 2025

Workshop "Humanism between Ideal and Ideology. Images and Notions of the Human after 1945"

Florian Carl:
Echoes of European Conquest in the Hyperpresent Now: Land-Body Ecologies Beyond Liberal Humanism

28.-29. November 2024

Workshop "Humanism between Ideal and Ideology. Images and Notions of the Human after 1945"

Peter Metzel:
Humanity Divided: Global Civil War and Post-Human Partisanship in Bruno Latour and Hito Steyerl

28.-29. November 2024

Konferenz "Temporality and Material Culture under Socialism"

Panel 6. The Urban Environment and Remediated Temporality | Temporality and Material Culture under Socialism

01. - 02. Juli 2021

Konferenz "Temporality and Material Culture under Socialism"

Panel 5. Time Materialized: Socialist Transcultural Encounters | Temporality and Material Culture under Socialism

01. - 02. Juli 2021

Konferenz "Temporality and Material Culture under Socialism"

Panel 4. Embodied Time: Art, Fashion, and Design | Temporality and Material Culture under Socialism

01. - 02. Juli 2021

Konferenz "Temporality and Material Culture under Socialism"

Panel 3. Socialism and Material Heritage | Temporality and Material Culture under Socialism

01. - 02. Juli 2021

Konferenz "Temporality and Material Culture under Socialism"

Panel 2. Temporalities in Early Soviet Socialism | Temporality and Material Culture under Socialism

01. - 02. Juli 2021

Konferenz "Temporality and Material Culture under Socialism"

Panel 1. Soviet Experiments: From the Everyday to Geological Time | Temporality and Material Culture under Socialism

01. - 02. Juli 2021

Konferenz "Temporality and Material Culture under Socialism"

Welcome and introductory remarks

01. - 02. Juli 2021

Vortrag

Carolina B. Garcia-Estévez: Rilke's 'Das Florenzer Tagebuch' in Reappraisal (1898)

4. Juli 2023

Vortrag

Valentyna Bochkovska: Saving cultural Heritage: Museum of Book and Printing of Ukraine (Kyiv) in wartime

7. Februar 2023

Symposium

Amerindian Art Histories and Archaeologies (Part 4) | The materiality of color: pigments, painted skins, and feathers

22. Februar 2023

Symposium

Amerindian Art Histories and Archaeologies (Part 3) | Between liquid and solid: metals and their transformation

15. Februar 2023

Symposium

Amerindian Art Histories and Archaeologies (Part 2) | Working with stone

08. Februar 2023

Symposium

Amerindian Art Histories and Archaeologies (Part 1) | Interplay between materialities and sensory experiences

01. Februar 2023

Vortrag

Roberto Santamaria:
Pietre "di diversi colori come l'arco celeste": il marmo a Genova nell’Età moderna

25. Januar 2023

Vortrag

Stephan Kemperdick:
Hugo van der Goes and Pictorial Logic

01. Dezember 2022

Vortrag

Timothy Kircher:
Humanist Conversations: The Creative Range of Renaissance Dialogue

15. Dezember 2022

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Paolo Villa — Questa piazza al mondo intero. Le molteplici identità della piazza italiana nel cinema

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Viviana Costagliola — La costruzione dell’identità collettiva del Meridione attraverso le fotografie del Touring Club Italiano

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Elisa Stafferini — The Ambiguity of Rome’s Foundation Myth and Its Protagonists in Early Modern Italian Art

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Elvira Miceli — The Liber ad honorem Augusti (Bern, Burgerbibliothek, Cod. 120 II) and the Problem of Sicilian Art

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Giorgio Motisi — Al di là del volto. Ritratto e identità nel gruppo di «Corrente»

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Giulia Murace — «A Roma ognuno trova la sua patria ideale»: l’arte dei primi del Novecento attraverso le esperienze rioplatensi

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Jessica Calipari — Monumenti d’artista e biografie dipinte nell’Italia del XIX secolo: fra genius loci e nation building

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Elisa Bernard — Against Identity: Stability and Change in Museum Institutions

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Tomáš Murár — Michelangelo and the Concept of Identity in Austrian Art History

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Valeria Sedlerenok — L’identità culturale e il patrimonio artistico della Serenissima a Venezia all’inizio dell’Ottocento

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Daniele Di Cola — Gustave Soulier e il problema dell’italianità in Les Influences orientales dans la peinture toscane (1924)

09. – 10. Dezember 2021

Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy"

Davide Ferri, Giada Policicchio — Introduzione

09. – 10. Dezember 2021

4A_Lab Seminar

Hanin Hannouch: Gustav Fritsch: Three-Color Photography and Nature in the German Empire

10. Mai 2021

4A_Lab Lecture & Panel Discussion

Christoffer Basse Eriksen: Nehemiah Grew and the Making of the “Anatomy of Plants” (1682)

Part 2 | Response & Panel Discussion
09. März 2022

4A_Lab Lecture & Panel Discussion

Christoffer Basse Eriksen: Nehemiah Grew and the Making of the “Anatomy of Plants” (1682)

Part 1 | Lecture
09. März 2022

KHI Amerindian Lecture Series

Els Lagrou:
Amerindian Abstract Chimeras: Relational Aesthetics in a Transformational Universe

16. Dezember 2021

KHI Amerindian Lecture Series

Andrew Hamilton:
Fragments of Empire: The Afterlife of a Colonial Inca Tunic

02. Dezember 2021

KHI Amerindian Lecture Series

María Eugenia Ulfe:
The Case of Andean Artists and Their Contemporary Artwork

25. November 2021

KHI Amerindian Lecture Series

Natalia Majluf:
Textiles/Art. An Essay on Aesthetic Categories in Twentieth-Century Peru

11. November 2021

KHI Amerindian Lecture Series

Federico Navarrete Linares:
Lienzo de Tlaxcala and Codex Mendoza: Two Examples of Codigophagy in 16th Century New Spain

30. September 2021

KHI Amerindian Lecture Series

Johannes Neurath:
The Uncertain Power of Images: Ambiguous Figuration and Amerindian Cosmopolitics

16. September 2021

Vortrag

Hans Aurenhammer: ‘Linea centrica’ und gekrümmter Erdenrand. Horizonte und Perspektive in italienischen Bildern

25. Juni 2020

4A_Lab Seminar

Dan Handel: The Forest Cons: Sylvan Reflections within Architectural Imaginaries

13. Dezember 2021

International Conference "Temple Cultures & Premodern Worlds"

Concluding Remarks – Richard Davis & Subhashini Kaligotla

17. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Kathleen Morrison: Landscape as Temple

17. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Pia Brancaccio: The Stupa at Sopara: Looking Beyond the Buddhist Remains

17. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Whitney Cox: Seeing Double: The Tantrāloka, the Bṛhadīśvara Temple and the History of Medieval Śaivism

17. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Ruth Barnes: Indian Textiles for Island Taste – Cloth in Early Indian Ocean Trade

15. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Katherine Kasdorf: Temples and Urban Experience in Premodern South Asia: Monuments for the City

03. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Naman Ahuja: Self-Reflecting & Reflecting the Self in the Other: Mirrors in Hindu Iconography and Rituals

03. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Andrea Acri: A Buddhist Bhairava? Kṛtanagara’s Icons against the Backdrop of Pan-Asian Late Tantric Buddhism

03. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Madhuri Desai: The Mughal Temple in Banaras

02. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Pushkar Sohoni: Yadava Temples, Before and After

02. September 2021

International Conference "Temple Cultures & Premodern Worlds"

James McHugh: Alcohol Culture and Indian Temples

02. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Welcome and Introduction

02. September 2021

International Conference "Temple Cultures & Premodern Worlds"

Roundtable and Book Forum with Vidya Dehejia

01. September 2021

4A_Lab Seminar

Lianming Wang: The Last Gift from Beijing: the Jesuit Gardens and the Sino-European Botanical Exchanges

12. Juli 2021

4A_Lab Seminar

Ayşe Güngör: Roots in Resistance: Vegetal Life in the Contemporary Eco-art Practices from Turkey

14. Dezember 2020

4A_Lab Seminar

Curator Talk with Manuela Fischer & Bat-Ami Artzi: Fragments of the Spanish Conquest from the Americas: Relics or Memorials?

09. Februar 2021

4A_Lab Seminar

Sophie Chao: Taking Plants and People Seriously: Multispecies Entanglements in the West Papuan Oil Palm Nexus

10. November 2020

4A_Lab Seminar

Curator talk with Stephan Kemperdick

04. November 2020

4A_Lab Seminar

Johannes Neurath: Images and Psychotropic Plants in Mesoamerica

13. Oktober 2020

4A_Lab Seminar

Angela Nikolai: Naturally Functional? Moritz Meurer’s Teaching Aids between Theory and Practice

27. September 2020

Online Book Presentation “Foto-Objekte”

Costanza Caraffa: Introduction

16. Dezember 2020

Online Book Presentation “Foto-Objekte”

Johannes Braun & Toby Cornish (JUTOJO): "An den Rändern, rau". From the Video Installation to the Book

16. Dezember 2020

Online Book Presentation “Foto-Objekte”

Petra Wodtke: Networks – Julia Bärnighausen: Disruptions – Stefanie Klamm: Transformations – Franka Schneider: Co-laboration

16. Dezember 2020

Online Book Presentation “Foto-Objekte”

Heike Grebin & Andreas Trogisch (Troppo Design): From the Project to the Book, or: The Project is the Book, the Book is the Project

16. Dezember 2020

Online Book Presentation “Foto-Objekte”

Alexa Färber: Studying Photography's Multiple Modes of Existence

16. Dezember 2020

Online Book Presentation “Foto-Objekte”

Katharina Sykora: About the 'Nature' of the Photo/Book

16. Dezember 2020

Online Conference

Ariella Minden and Luca Palozzi: Introduction

5.-6. November 2020

Online Conference

Janis Bell: Corrected mistakes: Printing Leonardo in Paris

5.-6. November 2020

Online Conference

Gerd Blum: Upside Down: The Fragment of a Failed Monument Presented as a
Masterpiece of Success – Michelangelo’s Moses and His Inverted Tablets in Image and Text, 1513–1568

5.-6. November 2020

Online Conference

Rachel E. Boyd: Waste not, want not: Repairing Renaissance glazed terracotta

5.-6. November 2020

Online Conference

Nino Nanobashvili: The Rise and Fall of Anatomy: Alessandro Allori’s Unfinished Drawing
Manual and his Iterative Struggles with It

5.-6. November 2020

Online Conference

Caroline Murphy: Diagnosing Disorder: Girolamo di Pace da Prato’s “Memoriale” (1558) and Aqueous Expertise in the Tuscan Landscape

5.-6. November 2020

Online Conference

Stephanie S. Dickey: Rembrandt’s Failure as a Printmaker

5.-6. November 2020

Online Conference

Tianna Uchacz: Recipes for Failure: Experimenting, Repairing, and Quitting in Renaissance Toulouse

5.-6. November 2020

Online Conference

Marco Collareta: Fortuna e sfortuna del colore nella scultura invetriata del Rinascimento

5.-6. November 2020

Online Study Day

Giorgio Van Straten: Presentation

13. Oktober 2020

Online Study Day

Costanza Caraffa: Introduction

13. Oktober 2020

Online Study Day

Elizabeth Edwards: Street Views: An Everyday Dissemination of Photographs

13. Oktober 2020

Online Study Day

Estelle Blaschke: Rarity vs. Ubiquity. Some Thoughts on the Institutionalisation of Photography

13. Oktober 2020

Online Study Day

Paul Frosh: When is an Archive Also a Bank? Industry, Value and Economy in a Photographic Institution

13. Oktober 2020

Online Study Day

Kelley Wilder: Photographs as Bureaucracy in the Business of Photography

13. Oktober 2020

Online Study Day

Armin Linke: Artistic Practices in Photographic Archives: Some Examples

13. Oktober 2020

Online Study Day

Joan M. Schwartz: Access Aims and Descriptive Affordances

13. Oktober 2020

Online Study Day

Tiziana Serena: Making Choices. History is Not a Ready-Made: Institutionalisation as Re-Writing

13. Oktober 2020

Konferenz

Fulvio Cervini: Spartimenti di Marte. Visioni e narrazioni nelle armature da parata

13. Dezember 2019

Konferenz

Sara Ragni: «Canone» dosiano e sue declinazioni nella genesi e nella decorazione delle cappelle gentilizie fiorentine

13. Dezember 2019

Konferenz

Ariana Farina: Facciate dipinte e teoria del partimento. Un dialogo possibile

13. Dezember 2019

Abendvortrag

Roberto Bellucci e Cecilia Frosinini: L’Adorazione dei Magi di Leonardo da Vinci prima e dopo il 1481

3. Dezember 2019

Abendvortrag

Luca Giuliani: Michelangelo, il David e la fionda

12. November 2019

Abendvortrag

Dieter Blume: Between vices and virtues – How to survive in an Italian ‘Comune’ of the Trecento

13. November 2019

Konferenz

Ariella Azoulay: Errata - Imperial Rights

16. Dezember 2019

Konferenz

Thomas Keenan: How to Make a Refugee

16. Dezember 2019

Konferenz

Katherine Bregengaard: Visualizing Universalism. A story of Unesco’s travelling Human Rights Exhibition, 1949 - today

16. Dezember 2019

Konferenz

Özge Calafato: A Collection in Abu Dhabi. Vernacular Photography, Archive and Heritage Making

24-25. Oktober 2019

Konferenz

Zoé E. Headley: Making the Private Public? Creating an Archive of Tamil Studio Photography

24-25. Oktober 2019

Konferenz

Zeinab Azarbadegan: Producing Knowledge of the Space in Nineteenth Century. The Golestan Palace Archive in Iran

24-25. Oktober 2019

Konferenz

Ahmet A. Ersoy/ Deniz Türker: Photography and the Archival Field at the Yıldız Palace (1876-1909)

24-25. Oktober 2019

Konferenz

Liam Buckley: Photo Archiving, Monasticism, and Yogic Life at Sivananda Ashram (Rishikesh, India)

24-25. Oktober 2019

Konferenz

Kylie Thomas: States of Emergency. Photographic Archives During and After Apartheid

24-25. Oktober 2019

Konferenz

Jessica Holland: Decolonial ‘Affordances’ in the Digital Archive

24-25. Oktober 2019

Konferenz

Ibrahim A. Ali: New Insights from the Photographic Archives of the Pioneer Studios of Antonio Beato and Attaya Gaddis

24-25. Oktober 2019

Konferenz

Rodrigo Porto Bozzetti: An International Collection of 1 Million Photographs. Diários Associados Rio de Janeiro

24-25. Oktober 2019

Konferenz

Sary Zananiri: Gleaning in the Archives. A Transnational Approach to Imaging and Palestine

24-25. Oktober 2019

Konferenz

Ping-Heng Chen: The Japanese and Guatemalan Collections of the Photographic Work of Yasu Kohei/Juan José de Jesús Yas

24-25. Oktober 2019

Konferenz

Giulia Paoletti: Escaping the Colonial Archive. The Itinerancy of Amadou Bamba’s Portrait

24-25. Oktober 2019

Konferenz

Deborah Schultz: Changing Contexts, Challenging Amnesia. Rosângela Rennó’s Rio-Montevideo

24-25. Oktober 2019

Konferenz

Shahidul Alam: Understanding Absence

24-25. Oktober 2019

Konferenz

Shamoon Zamir and Costanza Caraffa: Introduction

24-25. Oktober 2019

Konferenz

Margaret H.Ellis, C.Richard Johnson Jr, William A.Sethares: Computational Characterization of Leonardo’s Papers

12. Oktober 2019

Konferenz

Barbara Fanini: Dai Glossari alla Leonardo//thek@ Nuovi strumenti e nuove prospettive d’indagine per il lessico vinciano

12. Oktober 2019

Konferenz

Paolo Galluzzi: Leonardo//thek@1.0. Un’infrastruttura digitale per evitare il naufragio nell’oceano di dati del Codice Atlantico

12. Oktober 2019

Konferenz

Claudio Calì: Filigrane dal Codice Atlantico. Proposta per una loro valorizzazione “design oriented”

12. Oktober 2019

Konferenz

Pietro C. Marani: Trascrivere, pubblicare, catalogare il Codice Atlantico. Un bilancio degli ultimi cento anni

12. Oktober 2019

Konferenz

Nicholas Pickwoad: Deconstructing the Forster Codices. An Artefactual History

11. Oktober 2019

Konferenz

Claire Farago: Unfinished Business. Leonardo’s Artful Art and Its Written Legacy

11. Oktober 2019

Konferenz

Frank Fehrenbach: Trasgressioni

11. Oktober 2019

Konferenz

Domenico Laurenza: La compilazione del Codice Leicester

11. Oktober 2019

Konferenz

Francesca Borgo: Da sinistra a destra. Leonardo cambia direzione

11. Oktober 2019

Konferenz

Fabio Frosini: Come lavorava Leonardo. Un percorso nel labirinto delle sue carte

11. Oktober 2019

Projektpräsentation

Dirk Jacob Jansen: Magnum ac Novum Opus in Translatio Nummorum. A Digital Edition of Jacopo Strada’s Numismatic Corpus

15. Oktober 2019

Projektpräsentation

Jan Simane: Translatio Nummorum. The Project and its Prospects

15. Oktober 2019

Projektpräsentation

Volker Heenes: Strada’s Coin Drawings and Coin Descriptions and their Sources in the Census

15. Oktober 2019

Projektpräsentation

Timo Strauch: Ancient Coins and Renaissance Documentation of Coins in the Census of Antique Works of Art and Architecture Known in the Renaissance

15. Oktober 2019

Matinée

Shruti Mahajan: Dastavez I Documents – Memory, Identity and the Archival Paradigm

08. Oktober 2019

Abendvortrag

Andrea Pinotti: "Einfühlung als stilbildende Macht". Warburg, Hildebrand, Vischer, and Corporeal Empathy

25. September 2019

Abendvortrag

Andreas Beyer: Die Renaissance vergegenwärtigen. Aby Warburg und André Jolles in Florenz um 1900

23. September 2019

Abendvortrag

Arno Lederer: Weder alt noch neu

13. Juni 2019

Abendvortrag

Bernhard Jussen: From Marcus Aurelius's Horse to the Sexuality of Christ

12. Juni 2019

Workshop: Raffaello e l’architettura

Anna Rebecca Sartore: Il vescovo e il cardinale

07. Juni 2019

Workshop: Raffaello e l’architettura

Amedeo Belluzzi: Palazzo Pandolfini a Firenze

07. Juni 2019

Tagung

Peter Krieger: Contemporary Neo-Baroque Architecture and Neo-Colonial Ideology

03. – 05. Juni 2019

Tagung

Jens Baumgarten: Invention of the Baroque and Discourses of the Neo-Baroque

03. – 05. Juni 2019

Tagung

Laura Moure Cecchini: Italian Fascism and the Baroque

03. – 05. Juni 2019

Tagung

Estelle Lingo: Baroque Visuality between Perspective and the Photograph

03. – 05. Juni 2019

Tagung

Celeste Brusati: Painting Naturally in the Netherlands

03. – 05. Juni 2019

Tagung

Lorenzo Pericolo: The Baroque Body as a Stylistic Paradox

03. – 05. Juni 2019

Tagung

Evonne Levy: “Baroque”. Mnemosyne Atlas

03. – 05. Juni 2019

Tagung

Baroque to Neo-Baroque: Curves of an Art Historical Concept

03. – 05. Juni 2019

Abendvortrag

Zeynep D. Gürsel: A Picture of Health. Undressing Patients, Redressing Photographs

27. Mai 2019

Matinée

Josip Belamarić: The Conversion of Diocletian’s Mausoleum into the Cathedral of St. Domnius (Split, Croatia)

22. Mai 2019

Abendvortrag

Andrea De Marchi: Alla ricerca di Verrocchio pittore

13. Mai 2019

Abendvortrag

Gerhard Wolf: Broken Vases, Walking Vessels. The Art of Containment in 4½ Objects

30. April 2019

Abendvortrag

Claudia Conforti: Giovanni Michelucci. L'architettura e la città

4. April 2019

Abendvortrag

Mauro Mussolin: Palinsesti. Michelangelo e la carta

mit einer Einführung von Alessandro Nova

5. März 2019

Workshop

Audrey Rieber: Translating Riegl. On the constitution of a postivist language of art

mit einer Einführung von Marco Matteo Mascolo

1. März 2019

Workshop

Claudia Hopkins: 10 Years of 'Art in Translation' Reflections on Art History and Translation

mit einer Einführung von Robert Brennan

1. März 2019

Workshop

Introduction by Alessandro Nova and Giovanna Targia

1. März 2019

Workshop

Achim Wurm: Traduzioni d’arte – A Practitioner’s View

mit einer Einführung von Giovanna Targia

1. März 2019

Seminar

Noémie Etienne: Liotard and the Exotic

12. Februar 2019

Abendvortrag

Ben Marzeion: Before the Deluge - the UNESCO World Heritage under Climate Change

mit einer Einführung von Eva-Maria Troelenberg

22. Juni 2017

A Conversation

Joseph Rykwert and Francesco Pellizzi

im Rahmen der Tagung "Streets, Routes, Methods I: Reflections on Paths, Spaces and Temporalities"

5. – 6. Mai 2017

Konferenz

Costanza Caraffa: Welcome and Introduction

im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"

15. – 17. Februar 2017

Vortrag

Petra Trnková: The Unbearable (and Irresistible) Charm of “Duplicates”

im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"

15. – 17. Februar 2017

Vortrag

Kelley Wilder: The Two Cultures of Word and Image. On Materiality and the Photographic Catalogue

im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"

15. – 17. Februar 2017

Vortrag

H. Geismar and P. Laurenson: Finding Photography, Opening up the Photo-Object: A Dialogue between Anthropology and Conservation

im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"

15. – 17. Februar 2017

Call for Papers/Applications

CfA: Studentische Hilfskraft (w/m/d) (Teilzeit, 19 Stunden pro Woche)

Stellen

Doctoral and Postdoctoral Positions (M/F/D)

Bibliothek und Photothek

Forschungsthemen

The Art of Containment

Storia dell'arte e catastrofi: L'italia sismica (sta-sis)

Ecology and Aesthetics. Environmental Approaches in Art History (e/ae)

Sacred Landscapes: Between Materiality, Transportability and Narration (Jerusalem Project)

The Southern Caucasus Regions: Heritage, Landscape and Narratives

Iconologies and Iconospheres of the Sea, ca. 1200–1650, III: Liquid Materialities

Ship Ex-Voto as Objects, Metaphors and Figures of Communality, from Antiquity to the Nineteenth Century

Transregional Art Histories. Actors, Spaces, Ecologies from the 13th Century to the Present

Vasaris Welten und die deutsche kommentierte Ausgabe der 'Vite' in den beiden Editionen von 1550 und 1568

Rinascimento conteso

Languages of Art History

Ethik und Architektur

Fotografie als Instrument und Medium der Kunstgeschichte

Photo Archives

CENOBIUM - Ein Projekt zur multimedialen Darstellung romanischer Kreuzgangkapitelle im Mittelmeerraum

Il Progetto EUPLOOS

Etho-Ästhetiken des Visuellen

The City as Archive. Histories of Collecting and Archiving in and the Musealisation of Florence, Eighteenth Century to the Present

Die Erbauung der Seele. Leon Battista Albertis Dialog Über die Seelenruhe

Perspektivwechsel: Kunst und Philosophie nach Wittgenstein

Zwischen Ethos und Exzess? Eine Kritik des Erhabenen

Aktion ǀ Retraktion: Tschechoslowakische Kunst und Philosophie im internationalen Kontext, 1945–1989

4A Laboratory: Art Histories, Archaeologies, Anthropologies, Aesthetics (2019–2023)

4A Laboratory: Art Histories, Archaeologies, Anthropologies, Aesthetics

Digital Humanities Lab

Materiality and (In-)Visibility: Women in Socialist and Post-Socialist Public Spaces

The Aesthetics of Marble

The Ligurian Complex. Case Studies in Ecology and Aesthetics

A Heritage Observatory of Socialist Worlds

Heritage, Art History, Tourism (H.A.T.)

The Space of Childhood: The Adler Collection between Architecture, Art, History, Pedagogy and Creativity

Practices of Imagination

Phenomenon ‘Colour’: Aesthetics – Epistemology – Politics

Photo-Objects, Cultural Displays, and Rhetorics of Value

Objects of Migration, Photo-Objects of Art History: Encounters in an Archive

„La duplice polarità estetica e storica“ – Methode, Ästhetik und Funktion der Fotografien im Werk der Restauratorin Barbara Schleicher

Studies on the Photography, Laboratory, and Archival Practice of Anton Hautmann around 1860

On Alinari: Archive in Transition

The Photographers’ Sales Catalogue Collection of the Photothek

The King’s Finger, the Mermaid’s Body and the Power of the Sea

Cultural Possessions

Empires, Environments, Objects

Sounds of Melancholy

OSCOP – Observing South Caucasus’ Historical Landscape: An Open Photo Archive

Coded Objects

Fragile Objects, Coded Knowledge (Architecture's Archives)

The Intelligence of Loss in the Archive

Hidden in Plain Sight

Nation of Norms: Designing German Worldviews One Object at a Time

The Matter of Metadata: Archival Constructs between Index Cards and AI

Impact Research in Architecture and Urbanism

Workshop

Florentine Provenances. The Circulation of Cultural Assets in Florence, 20th-21st Centuries

Symposium

Coded. A Somewhat Emotional State

Conversation

It’s a Match! Petter Hellström and Toby Yuen-Gen Liang on Seeing Blank Spaces

Führung

Alisha Rankin and Julia Voss in conversation at Deutsches Historisches Museum, Berlin

Armin Linke: The City as Archive. Florence

Photography * Research * Library

Von Dante bis Picasso. 12 Werke aus der Biblioteca Serlupiana

Conversazioni Serlupiane I - Die ausgestellten Werke

TRANSITIONS: Via Modena 13

Burma. L'arte di Sawangwongse Yawnghwe fra Birmania ed Europa.

Abolition Garden muSa Michelle Mattiuzzi Installation & Study Display

Fuori Formato Bücher jenseits der Norm

Kunst der Freiheit – Experimentierfelder in Worten und Bildern

Hilde in Italia. Arte e vita nelle fotografie di Hilde Lotz-Bauer

Palazzo Buontalenti. Eine Fotokampagne

„Dem kunsthistorischen Institut ergebenst zur Lektüre empfohlen“ Schenkungen Aby Warburgs von der Institutsgründung bis zu seinem Tod (1897-1929)

Works by Alexander Kluge with Katharina Grosse and by Armin Linke in occasion of the exhibition "Aby Warburg, il Kunsthistorisches Institut in Florenz e il laboratorio delle immagini"

Aby Warburg, il Kunsthistorisches Institut in Florenz e il laboratorio delle immagini

Rooms with a View. Aby Warburg, Florenz und das Labor der Bilder

Sacred Landscapes:
Between Materiality, Transportability and Narration (Jerusalem Project)

Armin Linke:
The City as Archive. Florence

Into the Archive
On the Materiality of Photographs

Francesco Clemente
Fiori d’inverno a New York

Romualdo Moscioni
Apulia Monumentale

Mschatta im Fokus
Das jordanische Wüstenschloss in historischen Fotografien

Nomos der Bilder
Manifestationen des Rechts in Bildatlanten und Fotoarchiven

The Florentine Renaissance
The City as the Crucible of Culture

Translatio Nummorum
Die zwölf ersten römischen Caesaren in der Renaissance

Il Dolce Potere delle Corde
Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento

Research horizons and new technologies
The Euploos project for the Collection of the Gabinetto Disegni e Stampe degli Uffizi

Das Jahrhundert Vasaris
Florentiner Zeichner des Cinquecento

Zukunft der Tradition - Tradition der Zukunft
100 Jahre nach der Ausstellung 'Meisterwerke muhammedanischer Kunst' in München

ZANG TUMB TUUM...
100 Werke des Futurismus

Contrappunti II
Arte contemporanea alla Casa Zuccari Pfadfinder - Sentieri Susanne Weirich