Contatti

Dr. Costanza Caraffa
Costanza Caraffa
Head of photo library
Phone: +39 055 24911-64
Fax: +39 055 24911-40
Links: Opac
Julia Bärnighausen, M.A.
Julia Bärnighausen
Academic collaborator BMBF project 'Foto-Objekte'
Phone: +39 055 24911-43

Partner

Dr Costanza Caraffa (Coordinator)
Kunsthistorisches Institut in Florenz – Max-Planck-Institut, Photothek
Email: caraffa@khi.fi.it 
Tel.: +39 055 2491164

Dr Martin Maischberger
Staatliche Museen zu Berlin – Preußischer Kulturbesitz, Antikensammlung
E-Mail: a.scholl@smb.spk-berlin.de 
Tel.: +49 30 266 42 5101
Website

Dr Ludger Derenthal
Staatliche Museen zu Berlin – Preußischer Kulturbesitz, Kunstbibliothek (Sammlung Fotografie)
E-Mail: l.derenthal@smb.spk-berlin.de
Tel.: +49 30 266 42 4180
Website

Prof Dr Wolfgang Kaschuba
Humboldt-Universität zu Berlin, Institut für Europäische Ethnologie
E-Mail: wolfgang.kaschuba@rz.hu-berlin.de
Tel.: +49 30 2093 70843
Website

Mostre

Photo-Objects – Photographs as (Research) Objects in Archaeology, Ethnology and Art History

A cooperation between the Kunsthistorisches Institut in Florenz – Max-Planck-Institut (Photothek), the Staatliche Museen zu Berlin – Preußischer Kulturbesitz (Antikensammlung, Sammlung Fotografie) and the Humboldt-Universität zu Berlin (Institut für Europäische Ethnologie), funded by the Bundesministerium für Bildung und Forschung as part of the funding initiative 'The Language of Objects – Material Culture in the Context of Social Developments'.
Unidentified photographer: 'Censer (<em>Profumego</em>) from Cairo, Museo Correr, Venice', before 1905. Albumen print, 33.5 x 24 cm (card)

Archaeology, art history and ethnology are connected not only by their common institutionalisation around 1900, but also by their use of photographs as substitutes for the objects of their research. Based on the most recent studies on the materiality of photographs and photo archives, the research project understands documentary photographs as three-dimensional objects formed by historical processes that operate as repositories of sedimented knowledge in social and cultural contexts. It aims to show in a comparative investigation how the formation of methods in the humanities, the development and dissemination of photographic techniques, and the establishment of specialised photo archives in the decades before and after 1900 were mutually dependent. The focus here is on techniques and practices of scholarly work on and with photographs. The latter lead a double existence as objects: they are indexical representations of objects, and at the same time they are themselves 'talking' objects. The project will explore the scholarly potential of photo archives in museums, universities and research institutes, as well as develop a model for the cross-departmental networking of different collections.

The project will investigate the following subsections in the respective collections: the photographic documentation of archaeological excavation campaigns in Greece and Asia Minor (SMB – PK, Antikensammlung), architectural photographs from the USA and Europe ca. 1900 (SMB – PK, Sammlung Fotografie, Kunstbibliothek), the Hahne-Niehoff ethnological photo archive (Humboldt-Universität, Institut für Europäische Ethnologie), and the photographic documentation of applied arts (Kunsthistorisches Institut in Florenz, Photothek).

    

Research projects

 
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